We were happy to work with director Bruno Centofanti on Samsung’s wearable tech promo. Work included cleanup and watch display replacement.
In Production! Watch this space!
Starring BAFTA winner Sophie Kennedy Clarke (Philomena, Nymphomaniac) and Louise Salter (The Habit of Beauty) this quirky SCI-FI-LONDON short aims to inspire a different perspective of the refugee and what it is to be human.
We created over 60 vfx shots for How this exciting short, ranging from android skin to full CG apocalyptic environments and crowd simulations.. We're looking forward to seeing this concept develop into a feature.
We were luckily enough to help out on Fantastic Beasts working in house alongside Supervisors Tim Burke and Christian Manz delivering post-viz. It's a Fantastic film with Fantastic final visual effects!
In a joint project with Own Sweet Way, Spill Studios worked with directed James Slater on Major Lazer's 'POWERFUL' feat Ellie Goulding and Tarrus Riley.
We Supervised from pre production to final delivery and created over 70 vfx shots including CG cutlery, coins, fruit and pizza, particle FX, Xmen style black eye fx, wire and rig removal and environment matte painting.
A couple of Australians introduce three American backpackers to the local legend of Lemon Tree Passage where a ghost of a motorcyclist warns young drivers to slow down. After seeing the ghost first hand they uncover a malevolent force that posses the area and threatens to wreak havoc on the final days of their vacation. Isolated and ten thousand miles from home, the tourists find themselves caught in the clutches of an evil force much more heinous than the local myth believed.
Spill Studios created some Grizzly effects for this Australian Horror!
We were delighted to help supply titles and credits for Artangel on Ben Rivers THE SKY TREMBLES AND THE EARTH IS NOT AFRAID AND TWO EYES ARE NOT BROTHERS
https://www.artangel.org.uk/project/the-two-eyes-are-not-brothers/
Our work on geeks ranged from cleanup, gore, muzzle flashes,, CG flies, CG coke cans and high speed dust FX involving millions of particles.
We worked with vfx supervisor Barney Curnow replacing exteriors through doors and windows with digital matte painting on the ITV's Foyle's War.
We worked with director Bruno Centofanti creating vanity and beauty work for Wonderland. Extensive skin cleanup and eye enhancement which is something we specialise in and earned us a repeat visit for similar beauty work on the directors other project How to be Human.
For Populace we stitched together multiple takes of the lead actor to create a shot full of clones for this beautifully shot short.
One of our founding projects, we spoke to director James Leong early on and supplied a supervisor on set in Hong Kong for pre production and production. The work was then completed in Beijing to give the director access to vfx team.
http://cms.springboardplatform.com/embed_iframe/3029/video/945407/tflm001/twitchfilm.com/10/1/
51 Degrees North was an ambitious feature highlighting how vulnerable the world is to asteroids. We supervised onset including a shoot in London's Piccadilly Circus with over 1000 extras. The film was even blessed with a soundtrack composed by Queen's Brian May and has since helped launch director Grigorij Richters successful Asteroid Day which is highlighting the threat we face.
https://asteroidday.org/
One of our founding projects compositing was supplied using Shake, starring Haley Joel Osment.
Our first project with director Al White, the entire film was created in 48hrs for the 48hr Sci-Fi Film Challenge in London, it was selected for the Jury's Top 10 and recently won an award at the LA Cinema Festival of Hollywood
We were proud to be part of this amazing documentary supplying Shake compositing.
Spills Studios worked on the Maccabees Pelican music video completing paint work on sliced objects to join them together and creating mattes for the composite.
